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In these two devastating late works, Nietzsche offers a powerful attack on the morality and the beliefs of his time Nietzsche's Twilight of the Idols is a 'grand declaration of war' on reason, psychology and theology, which combines highly charged personal attacks on his contemporaries (in particular Hegel, Kant and Schopenhauer) with a lightning tour of his own philosophy. It also paves the way for The Anti-Christ, Nietzsche's final assault on institutional Christianity, in which he identifies himself with the 'Dionysian' artist… Show more

In these two devastating late works, Nietzsche offers a powerful attack on the morality and the beliefs of his time Nietzsche's Twilight of the Idols is a 'grand declaration of war' on reason, psychology and theology, which combines highly charged personal attacks on his contemporaries (in particular Hegel, Kant and Schopenhauer) with a lightning tour of his own philosophy. It also paves the way for The Anti-Christ, Nietzsche's final assault on institutional Christianity, in which he identifies himself with the 'Dionysian' artist and confronts Christ: the only opponent he feels worthy of him. Translated by R. J. Hollingdale with an Introduction by Michael Tanner Show less

We tend to suppose that the ancient Greeks had primitive ideas of the self, of responsibility, freedom, and shame, and that now humanity has advanced from these to a more refined moral consciousness. Bernard Williams's original and radical book questions this picture of Western history. While we are in many ways different from the Greeks, Williams claims that the differences are not to be traced to a shift in these basic conceptions of ethical life. We are more like the ancients than we are prepared to acknowledge, and only when… Show more

We tend to suppose that the ancient Greeks had primitive ideas of the self, of responsibility, freedom, and shame, and that now humanity has advanced from these to a more refined moral consciousness. Bernard Williams's original and radical book questions this picture of Western history. While we are in many ways different from the Greeks, Williams claims that the differences are not to be traced to a shift in these basic conceptions of ethical life. We are more like the ancients than we are prepared to acknowledge, and only when this is understood can we properly grasp our most important differences from them, such as our rejection of slavery. The author is a philosopher, but much of his book is directed to writers such as Homer and the tragedians, whom he discusses as poets and not just as materials for philosophy. At the center of his study is the question of how we can understand Greek tragedy at all, when its world is so far from ours. Williams explains how it is that when the ancients speak, they do not merely tell us about themselves, but about ourselves. Shame and Necessity gives a new account of our relations to the Greeks, and helps us to see what ethical ideas we need in order to live in the modern world. Show less

How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About Swann's Way by Marcel Proust Swann's Way is the first volume of the famous masterpiece In Search of Lost Time. Using the involuntary memory technique, Marcel Proust travels back in time to his childhood where the reader meets Charles Swann, a friend of the family. The memories fade and reappear again in Proust's mind this time telling the sad love story between Swann and Odette, an intriguing woman with an unusual… Show more

How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About Swann's Way by Marcel Proust Swann's Way is the first volume of the famous masterpiece In Search of Lost Time. Using the involuntary memory technique, Marcel Proust travels back in time to his childhood where the reader meets Charles Swann, a friend of the family. The memories fade and reappear again in Proust's mind this time telling the sad love story between Swann and Odette, an intriguing woman with an unusual style. What more can the narrator remember? In Swann's Way, the themes of Proust's masterpiece are introduced, and the narrator's childhood in Paris and Combray is recalled, most memorably in the evocation of the famous maternal good-night kiss. The recollection of the narrator's love for Swann's daughter Gilberte leads to an account of Swann's passion for Odette and the rise of the nouveaux riches Verdurins. Show less

The Brothers Karamazov, Dostoevsky's crowning achievement, is a tale of patricide and family rivalry that embodies the moral and spiritual dissolution of an entire society (Russia in the 1870s). It created a national furor comparable only to the excitement stirred by the publication, in 1866, of Crime and Punishment. To Dostoevsky, The Brothers Karamazov captured the quintessence of Russian character in all its exaltation, compassion, and profligacy. Significantly, the book was on Tolstoy's bedside table when he died. Readers in… Show more

The Brothers Karamazov, Dostoevsky's crowning achievement, is a tale of patricide and family rivalry that embodies the moral and spiritual dissolution of an entire society (Russia in the 1870s). It created a national furor comparable only to the excitement stirred by the publication, in 1866, of Crime and Punishment. To Dostoevsky, The Brothers Karamazov captured the quintessence of Russian character in all its exaltation, compassion, and profligacy. Significantly, the book was on Tolstoy's bedside table when he died. Readers in every language have since accepted Dostoevsky's own evaluation of this work and have gone further by proclaiming it one of the few great novels of all ages and countries. "The Brothers Karamazov stands as the culmination of Dostoevsky's art—his last, longest, richest, and most capacious book," said The Washington Post Book World. "Nothing is outside Dostoevsky's province," observed Virginia Woolf. "Out of Shakespeare there is no more exciting reading." Show less

An essential masterwork by Nobel laureate Saul Bellow—now with an introduction by J. M. Coetzee A Penguin Classic Expecting to be inducted into the army to fight in World War II, Joseph has given up his job and carefully prepared for his departure to the battlefront. When a series of mix-ups delays his induction, he finds himself facing a year of idleness. Saul Bellow's first novel documents Joseph's psychological reaction to his inactivity while war rages around him and his uneasy insights into the nature of freedom and choice.… Show more

An essential masterwork by Nobel laureate Saul Bellow—now with an introduction by J. M. Coetzee A Penguin Classic Expecting to be inducted into the army to fight in World War II, Joseph has given up his job and carefully prepared for his departure to the battlefront. When a series of mix-ups delays his induction, he finds himself facing a year of idleness. Saul Bellow's first novel documents Joseph's psychological reaction to his inactivity while war rages around him and his uneasy insights into the nature of freedom and choice. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. Show less

He is relentlessly defiant. He is exceedingly libidinous. His appetite for the outrageous is insatiable. He is Mickey Sabbath, the aging, raging powerhouse whose savage effrontery and mocking audacity are at the heart of Philip Roth's astonishing new novel. Sabbath's Theater tells Mickey's story in the wake of the death of his mistress, an erotic free spirit whose adulterous daring exceeds even his own. Once a scandalously inventive puppeteer, Mickey is now in his mid-sixties and besieged by ghosts - of his mother, his beloved… Show more

He is relentlessly defiant. He is exceedingly libidinous. His appetite for the outrageous is insatiable. He is Mickey Sabbath, the aging, raging powerhouse whose savage effrontery and mocking audacity are at the heart of Philip Roth's astonishing new novel. Sabbath's Theater tells Mickey's story in the wake of the death of his mistress, an erotic free spirit whose adulterous daring exceeds even his own. Once a scandalously inventive puppeteer, Mickey is now in his mid-sixties and besieged by ghosts - of his mother, his beloved brother, his vanished first wife, his mistress of thirteen years. Bereft and grieving, he embarks on a turbulent journey back into his past, one that brings him to the brink of madness and extinction. But no matter how ardently he courts death, he is too exuberantly alive to succeed at dying. Sabbath's Theater is a comic creation of epic proportions, and Mickey Sabbath is its gargantuan hero. This book, which presents Philip Roth at the peak of his powers, is sur Show less

A NEW YORK TIMES BESTSELLER• OPRAH’S BOOK CLUB PICK • WINNER OF THE PULITZER PRIZE FOR FICTION • NATIONAL BOOK CRITICS CIRCLE AWARD WINNER• A NEW YORK TIMES NOTABLE BOOK • MORE THAN 1 MILLION COPIES SOLD “Quietly powerful [and] moving.” O, The Oprah Magazine (recommended reading) Winner of the Pulitzer Prize and National Book Critics Circle Award, GILEAD is a hymn of praise and lamentation to the God-haunted existence that Reverend Ames loves passionately, and from which he will soon part. In 1956, toward the end of Reverend John… Show more

A NEW YORK TIMES BESTSELLER• OPRAH’S BOOK CLUB PICK • WINNER OF THE PULITZER PRIZE FOR FICTION • NATIONAL BOOK CRITICS CIRCLE AWARD WINNER• A NEW YORK TIMES NOTABLE BOOK • MORE THAN 1 MILLION COPIES SOLD “Quietly powerful [and] moving.” O, The Oprah Magazine (recommended reading) Winner of the Pulitzer Prize and National Book Critics Circle Award, GILEAD is a hymn of praise and lamentation to the God-haunted existence that Reverend Ames loves passionately, and from which he will soon part. In 1956, toward the end of Reverend John Ames's life, he begins a letter to his young son, an account of himself and his forebears. Ames is the son of an Iowan preacher and the grandson of a minister who, as a young man in Maine, saw a vision of Christ bound in chains and came west to Kansas to fight for abolition: He "preached men into the Civil War," then, at age fifty, became a chaplain in the Union Army, losing his right eye in battle. Reverend Ames writes to his son about the tension between his father--an ardent pacifist--and his grandfather, whose pistol and bloody shirts, concealed in an army blanket, may be relics from the fight between the abolitionists and those settlers who wanted to vote Kansas into the union as a slave state. And he tells a story of the sacred bonds between fathers and sons, which are tested in his tender and strained relationship with his namesake, John Ames Boughton, his best friend's wayward son. This is also the tale of another remarkable vision--not a corporeal vision of God but the vision of life as a wondrously strange creation. It tells how wisdom was forged in Ames's soul during his solitary life, and how history lives through generations, pervasively present even when betrayed and forgotten. Show less